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album announcement

Spoon Announces New Album 'Hot Thoughts,' Drops Title Track

Music News, New MusicWeston PaganoComment

The idea of a new Spoon record is a hot thought indeed, and following their top quality 2014 release They Want My Soul, Spoon has returned to "old friends" Matador Records to give us just that.

Due out March 17, the watercolor covered LP Hot Thoughts has a tracklist and title track available now, and, while there are no full tour details yet, they have announced a residency at their hometown SXSW festival in the days leading up to the release as well.

"Hot Thoughts" sees Spoon continue co-production with Dave Fridmann (The Flaming Lips, MGMT, Tame Impala) for a jangly yet tight single unafraid to embrace danceability at no expense to rock sensibility. Listen below.

SPOON - HOT THOUGHTS. ALBUM OUT MARCH 17 ON MATADOR RECORDS. All Pre-Orders Instantly Receive Title Track - http://smarturl.it/spoon_Hot_Thoughts Get all the details at http://www.spoontheband.com

Hot Thoughts:

  1. Hot Thoughts
  2. WhisperI’lllistentohearit
  3. Do I Have to Talk You Into It
  4. First Caress
  5. Pink Up
  6. Can I Sit Next to You
  7. I Ain’t the One
  8. Tear It Down
  9. Shotgun
  10. Us

STRFKR Finally Announce New LP 'Being No One, Going Nowhere,' Drop Second Single

Music News, New MusicWeston PaganoComment

Over half a year ago, STRFKR (née Starfucker) dropped a single titled "Never Ever" without any news of an album to come. Because of this, we took the leap in assuming it was a one-off, before STRFKR themselves corrected us on Twitter, providing the first hint that a follow-up to 2013's Miracle Mile was on the way.

Then, radio silence. Despite this delay, "Never Ever"'s "What would I lie for?" outro rings true today as the Portlandian trio has appeared again with new track "Tape Machine" and an album announcement for the grimly named Being No One, Going Nowhere due out November 4th via Polyvinyl.

"Tape Machine" is an excitingly groovy and psychedelic first taste of Being No One, Going Nowhere fitting of its delightfully starry cover art, but actually wasn't originally intended for the band. Frontman Joshua Hodges told Billboard,

Tape Machine’ was written with two Dutch friends while I was in Amsterdam visiting my girlfriend and trying to find inspiration. Those two friends and I wrote about six songs together and this was one they thought was too poppy for the project, so I asked if I could use it for this STRFKR record.

Click play and stare at space below.

"Tape Machine" is taken from our new album, Being No One, Going Nowhere, out 11/4. Order here: http://plyvnyl.co/beingnoone

After Five Years Bon Iver Announces New Album, '22, A Million,' Releases Two New Tracks

New Music, Music NewsSean McHughComment

Hold onto your high and tight fades you hipster hopefuls, Justin Vernon has returned from the proverbial woods to bestow yet another (seemingly) immaculate album via Bon Iver (or “Bonny Bear,” if you have only a casual predilection), entitled 22, A Million.

This might seem like yet another “surprise” release in a year that has been saturated with irrefutably tiresome “event” music cycle, but in true Vernon fashion, promotion for the new record has been under operation in plain site for months (even years). The first indication is the conception of Vernon’s passion project, Eaux Claires Music and Arts Festival - which Vernon co-founded with The National’s Aaron Dessner. A festival, which was indicated as an annual event in which Vernon would be able to premiere various Bon Iver and non-Bon Iver, related works.

The second indication came more recently, as promotional efforts ramped up with a mysterious YouTube video released on July 22nd featuring the title “#22days” and a tune that we now know as album single “22 (OVER S∞∞N).” Then, in early August, the Bon Iver socials began to tease artwork, and eventually, a “pedestrian” (really just an industry plant) happened upon a street mural featuring similar art to the 22, A Million album cover.

22, A Million cover art

After the under-our-noses vague promotion, we now know the full, ephemerally wonderful scope of Bon Iver and JV’s shenanigans – 22, A Million is due out on September 30th, via long time Bon Iver label, Jagjaguwar. Vernon and co. premiered the entire 10-track record at Eaux Claires, fully realizing the festival’s purpose, and released two singles from the record immediately following the band’s headlining set.

Between the two singles, it's obvious that the Teenage Engineering OP-1 that Vernon had casually mentioned in a handful of interviews to promote Eaux Claire’s inaugural year in 2015 played a far more substantial role in JV and Bon Iver’s creative process for 22, A Million than anyone could have imagined. “22 (OVER S∞∞N)” and “10 d E A T h b R E a s T ⊠ ⊠” both feature every iteration of Bon Iver channeled through OP-1 production styles and effects. Conceivably, Justin Vernon has managed to do the impossible by not only maintaining Bon Iver tenants of musicality, composition, and lyricism, but progressing the entity itself without any repercussions from such growth.

Outside of the two singles, which include the classic lyrical cryptic messaging and phraseology, not much else is known about 22, A Million, and it's likely little else will be revealed until the album’s 9/30 release date. That being said, for the uninitiated that desire to find out more, it should be noted that the number 22 has played an immeasurably substantial role in Vernon’s life, via a press release for the album:

22 stands for Justin Vernon. The number's recurrence in his life has become a meaningful pattern through encounter and recognition. A mile marker, a jersey number, a bill total. The reflection of '2' is his identity bound up in duality: the relationship he has with himself and the relationship he has with the rest of the world. A Million is the rest of that world: the millions of people who we will never know, the infinite and the endless, everything outside one's self that makes you who you are. The other side of Justin's duality is the thing that completes him and what he searches for. 22, A Million is thus part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. When Justin sings, "I'm still standing in the need of prayer" he begs the question of what's worth worshipping, or rather, what is possible to worship. If music is a sacred form of discovering, knowing and being, then Bon Iver's albums are totems to that faith.

Seeing as the album is set to release in early Fall, a 2016 tour announcement seems unlikely, but do not be surprised if Bon Iver hits the road in early 2017, as by that point, 22, A Million will have likely achieved indie-immortality that demands JV and Bon Iver’s presence once more.

Listen to “22 (OVER S∞∞N)” and “10 d E A T h b R E a s T ⊠ ⊠” and see the full tracklist below:

http://smarturl.it/BI_22AM 22, A Million Out September 30 on Jagjaguwar Created/Produced/Directed by Aaron Anderson & Eric Timothy Carlson Artwork by Eric Timothy Carlson Photograph by Cameron Wittig & Crystal Quinn No Justins were harmed in the making of this lyric video

http://smarturl.it/BI_22AM 22, A Million Out September 30 on Jagjaguwar Created/Produced/Directed by Aaron Anderson & Eric Timothy Carlson Artwork by Eric Timothy Carlson

22, A Million

  1. 22 (OVER S∞∞N)
  2. 10 d E A T h b R E a s T ⊠ ⊠
  3. 715 - CRΣΣKS
  4. 33 “GOD”
  5. 29 #Strafford APTS
  6. 666 ʇ
  7. 21 M♢♢N WATER
  8. 8 (circle)
  9. _45__
  10. 00000 Million

Wild Beasts Announce 5th LP, 'Boy King,' Drop Lead Single "Get My Bang" Music Video

New Music, Music NewsWeston PaganoComment

Enthralling experimentalists Wild Beasts have announced their forthcoming 5th LP, Boy King, due out August 5 via Domino with the release of lead single and video, "Get My Bang" and a host of European tour dates.

Wild Beasts have never been afraid to evolve across albums, and this first taste of Boy King - leather jackets, immensely '80s cover art, and all - is no exception. More straightforward than previous works, a linear drum base and unabashedly direct lyrics shed much of the painstakingly clever wordplay and dynamic brooding that set apart their past discography as "Get My Bang" reignites much of their signature libidinous themes but with an altogether different sort of polished package. "No getting it right / No getting it wrong / Just getting it on," indeed.

Co-frontman Hayden Thorpe explains,

After five records there had to be an element of ‘what the fuck?’ It became apparent that that guitar almost became the character within the songs, that phallic character, the all-conquering male. I’m letting my inner Byron fully out, I thought I’d tucked him away, but he came screaming back like the Incredible Hulk. I think ‘Boy King’ is an apocalyptic record. It’s about swimming in the abyss. When you think about sex, you’ve got to think about death, they’re one and the same.

Boy King was recorded in Dallas, enlisting producer John Congleton (St. Vincent, The War on Drugs), while the accompanying visual was shot in Belgrade and directed by Olivier Groulx (Arcade Fire, alt-J). Check out the video, tracklist, and tour dates below.

Wild Beasts - Get My Bang (Official Video) from 'Boy King' - the new album out 5th August 2016 Pre-order digital: http://po.st/BoyKingDL Pre-order CD/LP/LPX: http://po.st/BoyKingStore Listen to Wild Beasts on Spotify: http://po.st/WildBeastsSP http://po.st/MyBangStream Directed by Olivier Groulx The video for 'Get My Bang' was shot in Belgrade and directed by Olivier Groulx (Arcade Fire, alt-J, Scott Walker) featuring vocalist Hayden Thorpe's twisted routine of Justin Timberlake-meets-Trent Reznor choreography.

Boy King

  1. Big Cat
  2. Tough Guy
  3. Alpha Female
  4. Get My Bang
  5. Celestial Creatures
  6. 2BU
  7. He The Colossus
  8. Ponytail
  9. Eat Your Heart Out Adonis
  10. Dreamliner

Tour:

6/18 – Madrid, ES @ MadCool Festival
7/26-27 – Leeds, UK @ Brudenell Social Club
7/28-29 – Brighton, UK @ Hove Old Market
8/18 – Brecon Beacons, UK @ Green Man Festival
8/26 – Dumfries, UK @ Electric Fields
8/27 – Helsinki, FI @ Modern Sky Festival
9/02 – Vlieland, NL @ Into the Great Wide Open
9/04 – Laois, IE @ Electric Picnic
9/24 – Hamburg, DE @ Reeperbahn Festival
9/28 – Bristol, UK @ Motion
9/29 – Oxford, UK @ O2 Academy
9/30 – Margate, UK @ By the Sea Festival
10/01 – Sheffield, UK @ The Foundry
10/03 – Cambridge, UK @ The Junction
10/04 – London, UK @ The Roundhouse
10/07 – Newcastle, UK @ Northumbria Uni
10/08 – Glasgow, UK @ QMU
10/09 – Manchester, UK @ Academy
10/12 – Belgium, BE @ Botanique Orangeries
10/13 – Paris, FR @ La Gaite Lyrique
10/14 – Tourcoing, FR @ Le Grand Mix
10/15 – Strasbourg, FR @ La Laiterie
10/16 – Cologne, DE @ Luxor
10/18 – Copenhagen, DK @ Pumpehuset
10/20 – Berlin, DE @ Kesselhaus
10/21 – Prague, CZ @ Lucerna Music Bar
10/23 – Zurich, CH @ Rote Fabrik
10/25 – Milan, IT @ Magnolia
10/26 – Lyon, FR @ Epicure Moderne
10/29 – Bilbao, ES @ BIME